2012: KRITIKKEN SOM KONVERGENS? KRITIKK I KUNSTHÃ…NDVERKETS GRENSELAND

Masteroppgave i Kunstkritikk og kulturformidling Trondheim, Desember 2012. Norges teknisk-naturvitenskapelige universitet Det humanistiske fakultet
Institutt for nordistikk og litteraturvitenskap

http://www.diva-portal.org/smash/get/diva2:575103/FULLTEXT02.pdf

 

2011: NORWEGIAN CRAFTS ISSUE 1/2011 

Beauty and myth

“It has been 25 years since Inger Johanne Rasmussen last exhibited at the National Museum of Decorative Arts (Nordenfjeldske Kunstindustrimuseum) in Trondheim, Norway. Now she has returned with a solo exhibition called ‘Retellings and Myths’. This time Rasmussen has collaborated with Terje Nordby – a playwright, radio celebrity and “mythologist in private practice”. The textiles themselves tell stories, but through Nordby’s reflections, they take on an added dimension.”

http://www.norwegiancrafts.no/magazine/01-2011/beauty-and-myth

 

2011:NORWEGIAN CRAFTS ISSUE 2/2011

Contemporary Ornamentation

Jewellery artists Elise Hatlø, Heidi Sand and Anna Talbot feel ornamentation is underestimated. To them ornamentation is a vehicle for telling stories and expressing ideas.

http://www.norwegiancrafts.no/magazine/02-2011/contemporary-ornamentation

 

2011: NORWEGIAN CRAFTS 5/2011

What is ‘Contemporary Craft’?

The Norwegian crafts field is focusing increasingly on academic theory and discourse. As an instantiation of this development, Marit Øydegard chairs a round table discussion with Jorunn Veiteberg, Knut Astrup Bull and Jørn Mortensen, on the question of how contemporary crafts are viewed as a distinct field of practice or in relation to fine art.

http://www.norwegiancrafts.no/magazine/05-2011/what-is-contemporary-craft

 

2009: Ansa Nytt, 1/2009

ANSAnytt ba keramiker og tidligere utenlandsstudent Marit Øydegard om å skrive om sine erfaringer.

http://www.ansa.no/upload/bilder/ANSA%20nytt/ANSAnytt_web/ANSAnytt_2009-01.pdf